Music Monday: January indie releases February 6, 2017Posted by thejinx in music.
Tags: albums, arrangements, indie, music, new, releases, remixes, vgm, video game
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This January seemed to be a good month for indie VGM album releases, even with my limited exposure to news on that front. So for this week’s post, I thought I’d highlight a few of the new releases I came across.
This Vancouver group touts itself as a medley band, which is more accurate than to say they’re arrangers. After the first track on this first studio recorded album of theirs, there isn’t a lot of original interpretation or expansion of the source tracks, and focuses on straight performances weaving together many songs into five mega-mixes. However, the combination of great instrumentation, solid performance, and smooth transitions between the source material makes for great, engrossing ear candy that both grabs and holds your attention and pays a very satisfying homage to the original tracks.
The Travelers (self-titled album)
When you have a collaboration of musicians from VGM cover bands such as Materia Collective, the Triforce Quartet, and Tetrimino, you can expect high quality results. The Travelers’ namesake album delivers on that promise with lush European folk arrangements of songs from various (mainly older) games, in many cases really showing the potential of these classic soundtracks. There are very occasional moments when songs become a little dull or repetitive, but overall, this album is very lovely. It’s also the only album in this list that isn’t free to download, but with professional-grade production quality and I don’t think a single synthesized instrument, the $7 price tag is a bargain.
This latest album from VGM community and repository extraordinaire OverClocked ReMix will probably be a treat to fans of EDM and drum’n’bass (as well as Super Mario RPG), as those styles make up the bulk of the three-disc album. There’s a bit more distortion and chippy sounds, even from familiar names in the VGM community, than I tend to prefer, but some of it works for me, and there’s still a bit of variety. Joseph “XPRTNovice” Zieja, as always, does not fail to surprise with his contributions, including an arrangement that turns the bizarre, almost carnival-esque “And My Name’s Bukki (Booster)” into a haunting orchestral expansion worthy of any mindwarp movie trailer.
Music Monday: Chronicles of Time March 7, 2016Posted by thejinx in music.
Tags: album, arrangements, cd, chronicles of time, chrono trigger, indie, music, musicians, new, remixes, review, songs, soundtrack, video game
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In 2013, a group of indie musicians got together to create Spectrum of Mana, a 3-disc album of arrangements from the Super Nintendo game Secret of Mana. I enjoyed that album; some of it was not to my taste, but largely I really liked the songs.
When I heard that the same group was putting together a new album called Chronicles of Time based on the SNES game Chrono Trigger, I figured it would be much the same. Well, it ended up being rather bigger, to the tune of 5 discs, almost 6 hours of music, and over 200 contributors (!). The album launched a few weeks ago, so it seemed fitting that it would make a good topic for one of my Music Monday posts, and I’ve spent the past several days listening intently to give, well, I suppose as proper a review as I can manage.
The album was set up in much the same way as Spectrum of Mana, with almost all instrumental arrangements covering a wide range of the source material, organised per disc by genre, with a lot of accompanying artwork. There’s a lot of live instruments, a lot of collaboration, and the production quality is very high.
The first disc largely consists of the type of standard rock arrangements you often hear from indie arrangers, particularly live ones. There’s a track or two in acoustic, a little bit of funk and jazz/fusion mixed in (as well as one R&B track that wasn’t to my taste), but generally, there’s a strong focus on electric guitars, bass, and drums, not too heavy – runs on a scale roughly from AC/DC to 90s alternative rock – and generally fairly upbeat. There’s a good variety in the sounds for as consistent as it is overall and I love the directions some tracks took the source material, particularly “Runnin’ in Circles” by Ivan Hakštok & streifig and “Critical Heat” by Grospixels.
The second disc has a lot of the same musical theme as the first, though it adds in a bit more variety to the typical rock model with some electronica and a touch more of the jazz/fusion and funk from the first disc. There’s also a three-part chiptune medley from Derris-Kharlan, who had a similar medley in one part on Spectrum of Mana. While I’m starting to get tired of chiptunes, Derris-Kharlan gives it a lot of depth and movement and after giving both a chance, I’ve ended up thoroughly enjoying both. Overall there’s a lot of depth of sound in both this disc and the entire album, and the arrangements here are solid. I’m always impressed when a musician can take a less than 10-second source and expand it into a full song, so one of my favourites was “Norstein Bekkler’s Song of Horrors” by, once again, Ivan Hakštok, as well as “Epoch ~ Wings of Time” by Kirby’s Dream Band and “First Tentacle of Mars” (a play on the original title “First Festival of Stars”) by the group of musicians known as DROIDEKKA.
The third disc moves away from the electric guitars and heads more into new age, with a bit of jazz, orchestral, and Latin mixed in, and even a wonderful string quartet arrangement that utilises the instruments to their fullest potential. I thoroughly loved this disc, and every track is staying in my collection. Once again, there’s both great variety and great arrangements, and it’s hard to pick just a couple favourites.
The fourth disc is the jazz section. Where there’s been hints of it in the previous discs, it jumps to the fore in these tracks, ranging from lounge to swing to blues to salsa and beyond. This ended up being my favourite disc, which came as a bit of a surprise, since I’m all about the new age. There’s just so much movement, excellent arrangement of the source material into sometimes entirely different styles, great horn/sax solos, and such big sound that a lot of these tracks make me smile just to hear them. I absolutely loved “Primevil” by Eight Bit Disaster and “Cantina Automatica” by XPRTNovice (which I discovered last year from a different website, but I loved it so much I have no qualms at all with paying to have it again, and also contains some great humour for fans of the game).
The fifth disc got a bit heavier with more punk rock/heavy metal type arrangements. Several of these tracks were a bit too heavy for my taste, and I ended up not enjoying more of this disc than the others. I still liked more of this disc than not, particularly “Arena Rex” by Midee (featuring Ailsean, finbeard, norg, prozax & Snappleman).
Overall, it turned out to be a very strong album with a lot to like. I ended up keeping almost 80% of the tracks in my collection, and for almost five and a half hours of quality music? I’d say that’s worth $20. Fans of Chrono Trigger will most likely get a lot of enjoyment out of this album, and if you’re a fan of the Chrono Trigger soundtrack and jazz music, you should definitely check it out.
If you’d like more of an idea of what to expect, the group released a name-your-own-price preview disc over at Bandcamp. The full album is available via Loudr and iTunes, and you can get full information on the songs at the project website.